This is the second segment of our 3-part biography:
Scarcely had he begun to feel at home in Vienna when news came to him that his mother was ill. She had always been a good mother, kind of heart, great of hope for her little boy, and probably she sympathized with the hard lot that made him have to work so early in life. When he learned of her sickness he hastened to Bonn. "Who was happier", he said to one of his friends, "than I, so long as I was able to speak the sweet name of Mother and know that she heard me?"
Vienna had given him a wonderful happiness. He met Mozart and had some lessons from him in composition. When he played for the great master, Mozart tip-toed from the room and said softly to those present, "Pay heed to this boy. He will surely make a noise in the world some day."
BEETHOVEN AND MOZART
After his Mother's death he determined that he would remain there. And it was not until he talked with Joseph Haydn, who stopped at Bonn on his way to London, that he decided once more to journey to Vienna. Beethoven was twenty-two years old at the time he met Papa Haydn. Beethoven showed the master some of his compositions. Haydn urged him to go at once to Vienna, promising to give him lessons in composition on his return from London.
Everywhere in Vienna Beethoven was a welcome guest. He was proud (but in the right way), very honest, always straightforward and independent. But, like his mother, he was warm-hearted and as true as could be. There was nothing in his nature that was mean, or cruel, or wrong in any way. He took pride in his talent and worked hard to perfect himself in it.
Here is what Beethoven's handwriting looked like.
BEETHOVEN'S HANDWRITING Listen
Bit by bit, the great power of Beethoven as a pianist became known. He played much among his friends, but he did not like to perform in public. A story is told that once he was to play his C major Concerto at a concert. When he arrived at the hall he found the piano was tuned so low that he had to play the Concerto in C# major. You know how hard it is to transpose a simple piece, but think of transposing a Concerto and playing it with orchestra without time for practice!
Do you sometimes wonder what the great composer looked like? Beethoven lived outside of Vienna and often took long walks in the country. Once a little boy ten years of age was taken by his father to visit Beethoven. The boy must have been a very observant boy for he wrote out a description of how Beethoven looked. This is the little boy's picture as a man:
This is the description he gave of Beethoven: "Beethoven was dressed in a dark gray jacket and trousers of some long-haired material, which reminded me of the description of Robinson Crusoe I had just been reading. The jet-black hair stood upright on his head. A beard, unshaven for several days, made still darker his naturally swarthy face. I noticed also, with a child's quick perception, that he had cotton wool which seemed to have been dipped in some yellow fluid in both ears. His hands were covered with hair, and the fingers were very broad, especially at the tips."
You know, of course, that when we think of music we think of hearing it. We think how it sounds to us. A lover of music loves to hear its tones and to feel itsrhythm. Like every other human being, Beethoven loved music in just this way. He loved its sounds as they fell on the ear. As colors delight our eyes, so tones fell with delight upon the ears of this man.
Beethoven was once invited to play at the home of a nobleman, but upon being informed that he would be expected to go as a menial, he indignantly rejected the proposal.
THE ANGRY BEETHOVEN
Beethoven had many friends and was fond of them. They knew that he was a genius and were glad to forget some of the very strange things that he did when he got angry. Here is a picture of the great master seated among a group of his friends. Although Beethoven was odd, his friends loved him.
Part 3 will be posted tomorrow.